MISS READ – Berlin Art Book Festival 2019

Join us MISS READ- Berlin Art Book Festival 2019

May 3 – 5, 2019

at Haus der Kulturen der Welt
John-Foster-Dulles-Allee 10
10557 Berlin

Opening Hours
Friday 5-9pm // Opening Party 9pm till late.
Saturday 12-7pm
Sunday 12-7pm

Free Entrance

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VOLUMES 2018 – Zurich

Join us Volumes with Books Fair Zurich

Free entrance

Kunsthalle Zürich, Limmatstrasse 270, Zurich

Friday,23 November, 5-10pm

Saturday, 24 November, 12-8pm

Sunday, 25 November, 12-6pm

FRIENDS WITH BOOKS BERLIN 19-21 October 2018

Join us Friends with Books Fair Berlin

Free entrance

Hamburger Bahnhof- Museum für Gegenwart – Berlin

Friday, 19 October, 18:ooh-20:00h

Saturday, 20 October, 11:ooh-19:00h

Sunday, 21 October, 11:00h -19h00h

Je déballe ma bibliothèque à la Biennale 1.618

Je déballe ma bibliothèque est un projet nomade et modeste dans son format qui consiste à activer une bibliothèque en résonance avec son contexte et/ou un propos. Elle est un lieu de rencontre, de dialogue et de partage, une expérience.

Activée l’occasion de la Biennale1.618 au sein d’Emotion Square sous le commissariat de Sibylle Grandchamp, elle s’articulera autour d’une sélection de livres de l’artiste du Land Art, Hamish Fulton, qui place l’expérience de la marche au coeur de sa pratique.

 

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   du 1.2.3 juin / Carreau du Temple – 4 rue Eugène Spuller – Paris 75003.

https://www.1618-paris.com/labiennale1618/

Richard Prince’s publications from 2012 to 2018

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In 2012, Christophe Daviet-Thery and Viaindustriae co-published a catalogue Bibliothèque d’un amateur: Richard Prince’s Publications 1981–2012 .This diminutive, eponymous catalogue to an exhibition, curated by Christophe Daviet-Thery and taking place in Spoleto and Paris in 2012, seems to draw up an inventory of a “book-lover’s library”. But on closer inspection, the individual in question is the same person who designed these books: Richard Prince. Through their varied depictions of miscellaneous publications, Prince’s artist’s books and catalogues have gradually themselves become collection catalogues of other books. The phenomenon reflects an urge to  make public one’s private interior, and by extension, one’s personal life and inspirations.

In 2018 on the occasion of this new edition of Art Monte-Carlo, a set of  Richard Prince’s publications from 2012 to 2018 will be displayed.

Christophe Daviet-Thery at MAYARO

A the crossroads of concept-store and art gallery, MAYARO, chose to call upon  Christophe Daviet-Thery in order to offer its clients an exclusive and tailored  way of building their library, whose main theme is that of movement.

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join us
MAYARO, repères d’esthètes et d’artisans à Paris
20 rue Amélie | 75007 | Paris
www.mayaro.fr

Here Comes Everybody’s Don’t Book at Ampersand

Ampersand is a cooperative structure associated to our publishing house in collaboration with Alice Dusapin and Martin Laborde. It is, for now, a one year program looking at artistic enterprise. It includes but is not limited to exhibitions. It is open from Wednesday to Friday between 1 and 7, and by appointment.
Ampersand is launching  its program with Here Comes Everybody’s Don’t Book, a selection of Bern Porter’s works. including an extensive collection of his output in printed matter, alongside collages, ephemera, sounds, records and videos. This presentation prefaces a 2018 publication that will edited by Alice Dusapin & Geraldine Beck and published by Christophe Daviet-Thery.
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Ampersand | Rua Alegria 41C | Lisbon

Christophe Daviet-Thery at Albert Baronian Gallery

Map they could all understand (The Hunting of the Snark, Lewis Carroll, 1876)
A project by Christophe Daviet-Thery for Albert Baronian Gallery with:
Fiona Banner, Robert Barry , Daniel Gustav Cramer, Max Ernst and herman de vries.

In 1876, Lewis Caroll wrote The Hunting of the Snark, which Henry Holiday (1839-1927) illustrated with nine engravings including a map. One should observe it closely, as there is nothing to see. However (…) “this was a map they could all understand (…) a perfect and absolute blank.” In 1950, Max Ernst takes over the illustrations. The map is still present, displayed, spreading its glaring blank. If there is nothing to see, there is something to read: the Ocean. Naming to represent. Two maps as a starting point, to question the notion of representation, of its form and to reveal its diversity. And furthermore, questioning the relationship between images and language.
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joins us
Albert Baronian Gallery| 33  rue de la Concorde, 1050 Brussels
April 20 to May 27